In his book, Permission to Feel,” Marc Brackett, Founding Director of the Yale Center for Emotional Intelligence, argues for the importance of privileging, understanding, and utilizing our emotions. He shows how regulating our emotions hinges on our ability to identify and name them and have them honored and understood by others. And he argues that our success in life is much more influenced by our ability to tolerate and manage all of our emotions than it is on our intelligence or knowledge. Indeed, if we are not well-regulated emotionally, our ability to capitalize on our skills and knowledge will be … Continue reading What do you know about Marc Brackett’s Permission to Feel?
Beatrice Beebe has been observing mothers and infants for many years. She reveals much of what she has learned in language appropriate for parents, teachers, and clinicians alike in her 2016 book, The Mother-Infant Interaction Picture Book. Beebe has analyzed hours of split screen video in which mothers interact with their 4 month old infants. One of the most astonishing findings from the microanalysis of these videos is: These parent-infant communication patterns predict infant attachment patterns at one year, a key milestone in the infant’s development…An infant’s attachment pattern at one year predicts many aspects of the child’s development, including school … Continue reading Thoughts on The Mother-Infant Interaction Picture Book
Two podcasts featuring Winnicott offer listeners very different ways of thinking about human engagement with ideas, each other, the outside world and ourselves. Each asks Winnicottian questions about how an individual identity is constructed in relation to human and non-human objects and about how human thought and creativity emerges. Continue reading “Two Winnicottian Podcasts”
In the opening credits of Lars and the Real Girl, protagonist Lars Lindstrom (Ryan Gosling) is pictured looking out of the window of his garage apartment, warming himself with a blanket that we later learn was knitted for him by his mother when she was pregnant with him. In this close-up of his face, the blanket covers his mouth, so the only indication of his state of mind is the expression of his eyes. The feeling is somber, intensified by the apparent cold temperature. In the frosty window pane is the reflection of the dark and cloudy sky. The film opens with the shot of a lone man, one we will soon learn is terrifyingly lonely, and with a cold feeling, mediated only by the soft, handmade blanket. Continue reading “Lars and the Real Girl & Winnicott”