Review of “A Four-and-a-Half Year Old Boy Who Had Dropped Out of the World – The Most Amazing Analytic Experience I Have Ever Had” Presented by Dr. Martin Silverman

In the first phase of treatment, all of our patients interview us. They are checking to be sure that we will be helpful and not harmful. Patience, the willingness to wait, and curiosity about what is growing beneath the surface of things are, perhaps, two of a psychoanalyst’s most important tools. In intensive psychotherapeutic treatment the analyst needs the capacity to not know, to contain the feeling of not knowing, and to allow the mind to drift and wander. It’s all there in the memory banks, but to be effective in finding it, the analyst must be comfortable living with … Continue reading Review of “A Four-and-a-Half Year Old Boy Who Had Dropped Out of the World – The Most Amazing Analytic Experience I Have Ever Had” Presented by Dr. Martin Silverman

Mindreading and Mindblindness

Mentalization is the uniquely human (or so we think) ability to know one’s own mind and also the minds of others. The ability to mentalize develops in early childhood, consolidating at around 5 to 7 years old. It is the faculty of mind that allows us to understand that we have intentions, wishes, desires, feelings, hopes, knowledge, and plans, that others do as well. Moreover, once we have achieved mentalization, we also know that minds are opaque; in other words, we can guess what’s in someone else’s mind, but we can’t know it for sure unless we ask. The theory of … Continue reading Mindreading and Mindblindness

Lars and the Real Girl & Winnicott

lars-at-the-window

In the opening credits of Lars and the Real Girl, protagonist Lars Lindstrom (Ryan Gosling) is pictured looking out of the window of his garage apartment, warming himself with a blanket that we later learn was knitted for him by his mother when she was pregnant with him. In this close-up of his face, the blanket covers his mouth, so the only indication of his state of mind is the expression of his eyes. The feeling is somber, intensified by the apparent cold temperature. In the frosty window pane is the reflection of the dark and cloudy sky. The film opens with the shot of a lone man, one we will soon learn is terrifyingly lonely, and with a cold feeling, mediated only by the soft, handmade blanket. Continue reading “Lars and the Real Girl & Winnicott”